Sources
| Source | ID | Link | Books | Overlap |
|---|---|---|---|---|
| GoodReads | 5341215 | not fetched yet | 24 | 0 (0%) |
| Amazon | no author ID (search by name) | https://www.amazon.com/s?i=stripbooks&rh=p_27%3AAndrew%20Nette | 0 | 0 |
Most recent book on record
About
Andrew Nette is an award winning writer of fiction and non-fiction, pulp scholar, bibliophile, noir aficionado.
He is the author of three novels, Ghost Money, a crime story set in Cambodia in the mid 1990, Gunshine State and Orphan Road. His short fiction has appeared in a number of print and online publications, including Phnom Penh Noir and The Obama Inheritance: Fifteen Stories of Conspiracy Noir , which won the prestigious Anthony Award in the US for best crime anthology in 2018.
He is co-editor of three books on the history of midcentury pulp and paperback publishing for PM Press, Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1956 to 1980, and Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1980. Dangerous Visions and New Worlds won the 2022 Aurealis Convenors Award for Excellence and the Locus Magazine award for non-fiction, and was been nominated for a Hugo award for non-fiction.
His scholarly works are Rollerball (Liverpool University Press, 2018), a monograph about Norman Jewison’s 1975 dystopian classic, and Horwitz Publications, Pulp Fiction and the Rise of Australian Paperback (Anthem Press, 2022).
His latest non-fiction book, co-edited with New York critic Samm Deighan, is Revolution in 35mm: Political Violence and Resistance in Cinema, from the Arthouse to the Grindhouse, 1960-1990 .
He writes a regular newsletter under his name on Substack.
He is the author of three novels, Ghost Money, a crime story set in Cambodia in the mid 1990, Gunshine State and Orphan Road. His short fiction has appeared in a number of print and online publications, including Phnom Penh Noir and The Obama Inheritance: Fifteen Stories of Conspiracy Noir , which won the prestigious Anthony Award in the US for best crime anthology in 2018.
He is co-editor of three books on the history of midcentury pulp and paperback publishing for PM Press, Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1956 to 1980, and Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1980. Dangerous Visions and New Worlds won the 2022 Aurealis Convenors Award for Excellence and the Locus Magazine award for non-fiction, and was been nominated for a Hugo award for non-fiction.
His scholarly works are Rollerball (Liverpool University Press, 2018), a monograph about Norman Jewison’s 1975 dystopian classic, and Horwitz Publications, Pulp Fiction and the Rise of Australian Paperback (Anthem Press, 2022).
His latest non-fiction book, co-edited with New York critic Samm Deighan, is Revolution in 35mm: Political Violence and Resistance in Cinema, from the Arthouse to the Grindhouse, 1960-1990 .
He writes a regular newsletter under his name on Substack.